print, etching, paper, engraving
aged paper
etching
old engraving style
landscape
paper
orientalism
engraving
Dimensions height 228 mm, width 164 mm
This map of the coast of Tasmania was made anonymously around 1773, likely as a printed illustration. The lines and lettering were etched into a metal plate, probably copper, then inked and pressed onto paper. Consider the labor involved in making this image. The copperplate engraving would’ve demanded a skilled hand, someone who could patiently translate geographic observation into a precise, reproducible image. Mapping has always been tied to power, and this map is no exception. By charting the coast, the Dutch could claim ownership, turning the land into a resource to be exploited. The map's neat, measured lines mask the messy, violent process of colonization. It reduces a complex landscape and its inhabitants to a set of coordinates, a resource to be managed. In that sense, even a seemingly objective map like this one is a powerful assertion of control, made possible by skilled labor and a colonial agenda.
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