Deel van een kaart van het Hoogheemraadschap van Rijnland, met Montfoort en Oudewater by Floris Balthasarsz van Berckenrode

Deel van een kaart van het Hoogheemraadschap van Rijnland, met Montfoort en Oudewater 1615

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print, engraving

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dutch-golden-age

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print

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landscape

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engraving

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realism

Dimensions: height 371 mm, width 273 mm

Copyright: Rijks Museum: Open Domain

Curator: So, we're looking at "Deel van een kaart van het Hoogheemraadschap van Rijnland, met Montfoort en Oudewater," a section of a map made in 1615 by Floris Balthasarsz van Berckenrode. It’s an engraving, a print showcasing the Rijnland region. Editor: It has the soft, muted colours of an old storybook—the kind you'd pore over for hours, lost in imaginary travels. And yet, it’s so precise. A really intriguing blend of the practical and the whimsical, don’t you think? Curator: Absolutely. Maps like this weren’t just about navigation; they were statements of power, visualizations of control over land and resources. The Hoogheemraadschap, the water board, held significant sway. Editor: Which probably explains the really tight visual partitioning of the landscape. Look at those demarcated areas; they're so neat. It almost feels less about depicting landscape and more about claiming territory. Like marking one's space on a really muddy playground! Curator: Exactly! And consider the symbolic weight of depicting water so meticulously. Water management was vital to the Dutch Republic’s survival, a constant negotiation between the people and the elements. Editor: It's almost like each little district there is a brushstroke contributing to a massive environmental composition. It makes me wonder about all of the lives, human and animal, touched by these borders on a daily basis. Curator: Precisely! It is a powerful commentary about humans and landscape, a perspective informed by both geographical precision and the political reality of its era. Editor: It’s a lovely intersection of something technical rendered with surprising aesthetic choices. Makes one consider who these maps are *really* for—the surveyor? The government official? The day dreaming armchair traveler? Curator: Thinking about the intersection of human life with geographical depiction really changed my viewing experience here. Editor: Absolutely—seeing how even something utilitarian can harbor multiple meanings; very powerful.

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