Kaart van het dijkgraafschap Drechterland (deel rechtsonder) by Anonymous

Kaart van het dijkgraafschap Drechterland (deel rechtsonder) 1775

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print, paper, engraving

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dutch-golden-age

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print

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landscape

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paper

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genre-painting

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history-painting

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engraving

Dimensions height 525 mm, width 635 mm

Editor: This is a portion of "Kaart van het dijkgraafschap Drechterland," a map from 1775 by an anonymous artist. It’s an engraving on paper depicting the Dutch region of Drechterland. What strikes me is the contrast; the precise lines of the map above versus the more whimsical scene at the bottom. What do you make of this piece? Curator: Ah, a map that is so much more than a map, wouldn't you agree? It reminds me of a theatrical set. On one hand, you have the rational, almost clinical rendering of land and sea—the rigid grid, the neat parcels of land. Then, look how our cartographer lets his hair down, creating these almost mythological beings frolicking at the bottom. It makes me wonder: was the cartographer longing to escape the demands of accuracy, perhaps dreaming of faraway lands? Do you see a tension between those two aspects? Editor: I do, yes! It's like they couldn't quite decide what they wanted this piece to *be*. The map feels so functional, but the figures... why include them? Curator: Why not! Perhaps it's a wink, a playful invitation to see the land not just as something to be measured and controlled, but as a source of stories, of wonder. Consider the context, a world increasingly defined by reason, by the scientific gaze, where perhaps artists found refuge in a realm unbound from accuracy. A map may not be simply about location but what those locations represent. What thoughts and emotions can be conveyed from this "landscape"? Editor: That makes a lot of sense! I hadn't thought about it that way, as a commentary. I’d been stuck on whether it was "accurate" enough as a map, rather than seeing it as a snapshot of the time period that blended objectivity with whimsy. Curator: Precisely. It's about the push and pull of different ways of seeing, or wanting to see, the world. This, I believe, offers a window into a fascinating mind. Now, doesn’t that thought leave a warmer taste in your mouth than you expected? Editor: Absolutely, thank you! I'll never look at a map the same way again!

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