Kaart van Brabant 1670 - 1711

Editor: This detailed print, "Kaart van Brabant," dating from between 1670 and 1711, created by Pieter Schenk, showcases Brabant in a style reminiscent of Baroque cartography. Its scale is fascinating; all those names evoke centuries of habitation. How do you interpret the symbolic weight of a map like this, Professor? Curator: Maps, particularly from this period, aren't just objective records of geography; they're loaded with symbolic intent. Think about how borders are rendered, how settlements are given prominence, what details are included or omitted. Each decision reflects a worldview. This map participates in a collective imagining, defining "Brabant" through layered historical consciousness. Does it evoke feelings of authority, of exploration, perhaps even subtle ownership? Editor: It definitely gives off a sense of authority, with its elaborate script and meticulous detail. The pastel hues marking different regions almost seem to soften that power, though. What would Brabant mean for those commissioning this map? Curator: The colours hint at belonging, almost claiming territories visually through chromatic possession. Commissioners might see in it a historical validation, a visual document reinforcing claims, reminding viewers—and themselves—of cultural boundaries and territorial heritage. It embodies Baroque-era identity-building through graphic language. Do you get a sense of permanence? Editor: Absolutely. Seeing it displayed in the Rijksmuseum highlights its cultural significance. Curator: Indeed, enshrining it solidifies the past in our present. This engraving persists, shaping how we perceive a region's long, symbolic timeline. Editor: I never thought about a map having that much persuasive and symbolic significance!