Kaart een deel van de kust van Noorwegen en Zweden 1580 - 1583
drawing, print, ink, engraving
drawing
pen drawing
pen illustration
pen sketch
11_renaissance
ink
geometric
northern-renaissance
engraving
Dimensions height 330 mm, width 515 mm
Curator: Ah, "Kaart een deel van de kust van Noorwegen en Zweden"—a map of a section of the Norwegian and Swedish coast, made between 1580 and 1583 by Joannes van (I) Doetechum. It's a riot of lines and labels. What strikes you initially about it? Editor: Well, the details! It feels a bit overwhelming at first, but then I get drawn into the ships and sea monsters. I'm curious, though; it's both functional and ornate. How do you interpret this blend? Curator: Exactly! It’s a working document, but it’s also intended to impress. The cartographer is not just conveying information; he's creating a symbol of power and knowledge. Think of the ships sailing bravely into the unknown – a visual representation of Dutch maritime dominance. Notice the compass rose—isn’t it stunning? Editor: Definitely. I guess I hadn’t considered it as a statement of power, more just a way to understand the world better. Curator: And that *is* part of it. These maps gave people a sense of control, of being able to tame the wildness of the seas and claim it for themselves. The sea monsters also hinted at danger, adding excitement. Do you see any symbolism elsewhere? Editor: The text boxes with their ornate frames look pretty grand. Is that further highlighting its status? Curator: Absolutely. And consider the coloring: reserved but clearly meant to make this more than just ink on paper. So, in the end, what does the map tell us beyond geographical details? Editor: I see now. It’s a Renaissance snapshot – science mingling with art, function embracing symbolism. It gives you a different perspective than just reading facts. Curator: Precisely! These aren’t just lines on paper. They are whispers from the past.
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