Kaart van Zeeland met de overstroomde gebieden, 1808 by Daniël (I) Veelwaard

Kaart van Zeeland met de overstroomde gebieden, 1808 1808 - 1810

drawing, graphic-art, print, etching

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drawing

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graphic-art

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dutch-golden-age

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print

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etching

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landscape

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etching

Editor: This is "Kaart van Zeeland met de overstroomde gebieden, 1808," a map of Zeeland with flooded areas, made around 1808-1810 by Daniël (I) Veelwaard. It's a drawing, but also considered graphic art, made with etching. The level of detail is amazing. What strikes you when you look at this? Curator: Well, looking through a materialist lens, the first thing that grabs me is the process of etching. It speaks to a specific mode of production, the labour involved in creating and disseminating geographic information at this time. Maps weren't just passively consumed, were they? They were actively used, consulted, debated over… They shaped understanding. Consider the paper itself; its materiality reflecting economic factors. Who had access to it? Editor: That's interesting! I hadn’t thought about it as a reflection of the means of production, just the end product. Curator: Precisely. Think about the labor invested: from the cartographer compiling information to the etcher painstakingly translating it onto the plate, and the printer reproducing it. What kind of social systems made that possible? Where was this printed, and for whom? Editor: So, by looking at the material, we can start to understand the social context around the creation of the map? Curator: Absolutely. The etching lines create a textured landscape, visually emphasizing the "overstroomde gedeelte" or flooded areas. What did this flood mean materially? For the farmers working the land? For trade and shipping in this delta region? What was the economic impact, and who bore the brunt of the damage? These flooded zones might become areas for hunting, for peat extraction... even accidental aquafarming of shrimp! Editor: That shifts the focus from just viewing it as a historical document to thinking about its material implications and the lives it impacted. It makes it feel much more connected to real-world experiences. Curator: Exactly. Thinking about materiality allows us to examine social and economic conditions and understand this landscape through labour, impact, and consequence.

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