Beleg van Brussel (linkerhelft), 1697 1697

Jacobus Harrewijn made this print in 1697, depicting the siege of Brussels. Its production involved a skilled engraver, meticulously incising lines into a metal plate. This was a labor-intensive craft, demanding precision and expertise. Look closely, and you will see how the fine lines create a detailed panorama of the city, its fortifications, and the surrounding landscape. The engraver’s skill is evident in the textures, from the flowing robes of the allegorical figures to the regimented layout of the city. Notice too the names meticulously printed in crisp lines. The creation of maps like these was an important exercise of state power. The print is more than just a representation; it's an artifact of its time. Consider the social context: this was an era of conflict and territorial ambition, and prints like this served to document events, celebrate victories, and project power. The very act of engraving, with its demand for skilled labor, speaks to a society structured around specialized trades. So, as you view this print, appreciate the craftsmanship, the social context, and the ways in which materials and making processes intertwine to give the work its full meaning.