Reproductie van een landkaart van de omgeving van China en Borneo door Pieter Goos by Michel Berthaud

Reproductie van een landkaart van de omgeving van China en Borneo door Pieter Goos before 1895

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drawing, paper, pen

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drawing

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aged paper

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asian-art

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sketch book

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hand drawn type

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landscape

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paper

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personal sketchbook

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sketchwork

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journal

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pen work

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sketchbook drawing

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pen

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storyboard and sketchbook work

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sketchbook art

Dimensions height 221 mm, width 165 mm

Curator: Here we have a reproduction of a map, dating from before 1895. It depicts the regions surrounding China and Borneo, attributed to Pieter Goos. The medium is listed as drawing. Editor: It feels remarkably… functional. There's a coldness, almost, to its precision. The stark contrast of the lines on the aged paper projects an aura of navigation, a tool rather than a vista. Curator: Precisely. The stark lines, repeated at calculated intervals, create a rigorous grid. Note how the pen work emphasizes outline and boundary; topography defined not through depth, but separation. Editor: The lines do dominate, don’t they? It's compelling how cultural weight accumulates around these stark visual boundaries. Imagine all the colonial ventures launched using this visual framework – the psychological power embedded in declaring "this is here, and that is there." Curator: Exactly. That act of dividing space carries immense significance, beyond simply locating places. The map isn't merely representational; it participates in the active creation of territory, its visual grammar mirroring colonial ambition. Editor: Look at the ornamentation as well! The vignettes of figures above seem to stand as symbols of Europe observing this charted world, or laying claim to the charted world. What a layered document. Curator: You’ve pointed out a fascinating juxtaposition. The ornamental elements, classical in their form, sit rather uneasily above the "rational" grid beneath. Perhaps a tension there, between aesthetic embellishment and instrumental purpose. Editor: A visual power struggle then. The practical and political both conveyed through symbols, line, and the object itself. It certainly elevates what first appeared as a simple instrument into something with a richer story to tell. Curator: Agreed. Examining the map's construction reveals those silent intentions inscribed in every pen stroke. A complex intersection of art, science, and politics—much more than a navigational aid.

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