Zonsverduistering van 25 juli 1748 by Anonymous

Zonsverduistering van 25 juli 1748 1748

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print, engraving

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baroque

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print

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old engraving style

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geometric

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cityscape

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history-painting

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engraving

Dimensions: height 602 mm, width 483 mm

Copyright: Rijks Museum: Open Domain

Curator: This image arrests me—the whole feeling is rather unsettling, a sense of something huge, an unknown lurking. Editor: That’s interesting. We're looking at "Zonsverduistering van 25 juli 1748," or "Solar Eclipse of July 25, 1748." This print is, as far as we know, by an anonymous artist working in a Baroque style and presents an engraved depiction of the solar eclipse that took place on that date. Curator: An eclipse visualized, literally! I sense the attempt to grapple with what is unknowable. What grabs me is how precise and abstract the mapping appears in the rendering, then that dominating shadow, darkening continents. Editor: Notice how the anonymous creator interweaves science and artistry here. Semiotic study suggests the arrangement itself constructs a visual language. Observe the circles representing phases around the central world map, each labeled carefully to instruct the reader. Curator: You are so right! And look, it brings together observation with what... faith maybe? Something mystical felt imminent then; now we pull data. It reminds me, though I cannot place the source, of when total eclipses caused panic, or prompted prophecies. Editor: True enough. It presents a shift in perception of the heavens in those times. Observe too the very fine lines forming grids, plotting points on continents... There’s a commitment here to measurement that is part scientific document, part… performative display? Curator: What about that geometric feel that even today still has the capacity to remind of celestial movements. That sort of geometric abstraction reminds us that science always flirts with something poetic, something beyond words. It suggests hidden forces... a deeper narrative unfolding, not just calculating position and shadow but implying grand purpose. Editor: A blending of art, science, history—illuminating not only a phenomenon but also an era's perception, as we interpret meaning in lines and shades of grey! Curator: Right, a dance between the tangible and ethereal captured in ink—making olden skies feel rather near suddenly.

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