Plan (Probably of the Building in Accession Number 60.632.62) 1710 - 1727
drawing, print, architecture
drawing
baroque
geometric
line
architecture
Dimensions 13 1/16 x 17 13/16in. (33.2 x 45.2cm)
Curator: This detailed drawing is attributed to Pietro Paolo Coccetti, or Cocchetti, and it's titled "Plan (Probably of the Building in Accession Number 60.632.62)." Created sometime between 1710 and 1727, it presents an architectural ground plan rendered in print. Editor: There's something incredibly soothing about this. All these lines—crisp and certain, mapping out a space that doesn't exist yet, or maybe once did. It feels like peering into the bones of a building, its potential etched in ink. Curator: Note the precision of the line work, crucial in architectural drawings of this era. We can clearly distinguish spaces intended for specific functions, study the spatial relationships and the layout logic dictating circulation and hierarchy. Editor: Absolutely, but look at how even in this formal blueprint, the little flourishes sing! Those gracefully curved entrances hint at a baroque sensibility eager to soften the stark geometry. Imagine walking through those halls... were they grand or intimate? Were the stairs for a sweeping entrance, or tucked away for the servants? Curator: Such plans were essential not only for construction but also as presentation pieces. The scale is small, implying perhaps this design was initially envisioned for a grand manor. But beyond mere documentation, it becomes a fascinating abstraction, doesn’t it? An architecture of pure concept. Editor: Yes, almost musical! It reminds me that a home isn't just bricks and mortar but a stage for lives unfolding, full of whispered secrets, boisterous laughter. Did Coccetti sense that, I wonder, when he painstakingly rendered each room? Did he feel the echo of lives not yet lived within those walls? Curator: Whether consciously intended or not, that trace of future inhabitation elevates this work beyond functional architecture. And I think is what really distinguishes Coccetti’s meticulous plan making. Editor: It is remarkable to observe how even in rigid constraint, creativity emerges. Something essential to every structure created with care. Thank you, Coccetti.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.