drawing, print, ink, engraving
drawing
baroque
ink paper printed
landscape
ink
geometric
history-painting
engraving
Dimensions height 332 mm, width 490 mm
This is an anonymous map of the Battle of Chiari, created in 1701. Look at the schematic arrangement of the armies, lines of men facing each other, reflecting a rigid order of battle, a visual symbol for the rationalization of war during the Enlightenment. This motif of opposing forces, neatly arrayed, finds echoes in earlier depictions of combat, such as ancient Roman battle reliefs, yet here, the lines are cleaner, more precise. This evolution reflects a shift towards the scientific mapping of conflict, a desire to impose order on the chaotic reality of war. Notice how the walled city of Chiari, with its star-shaped fortifications, appears as a microcosm of strategic defense. This design, reminiscent of fortress layouts from the Renaissance, reveals a deep-seated concern with security and control. The collective memory of sieges and conquests is encoded in these fortifications, engaging the viewer on a subconscious level. The image projects an aura of intense strategic planning, yet it also points to a fundamental human drive: to control space and dominate one another. Thus, this map is not merely a record of a past event, but a recurring expression of our inherent human impulse to engage in conflict. It embodies the cyclical return and transformation of symbols across time.
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