Dimensions: support: 404 x 304 mm
Copyright: © The estate of Keith Arnatt | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Keith Arnatt's photographic work, simply titled "Gardeners", presents a man standing squarely in a garden setting. The piece is held in the Tate Collections. Editor: My initial impression is one of gentle melancholy. The black and white palette and the rather still pose create a sense of quiet contemplation. Curator: The gardener’s presence in this image acts as a powerful symbol. His attire, the land, they trigger an almost archetypal connection to nature and labor. Editor: Absolutely, but what strikes me is the composition—the gardener centered, framed by that archway. It creates a strong focal point amidst the organic chaos of the garden itself. Curator: Indeed. It is fascinating how Arnatt uses a commonplace image to evoke a sense of the timeless relationship between humanity and the earth. Editor: Precisely. The tonal range and texture give the impression that we are meant to look at this person as both a subject and an object and consider who is tending to who. Curator: A perfect encapsulation of the symbolic tension within this quiet image. Editor: Agreed. A thoughtful work offering a subtle commentary on our place in the natural world.
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Gardeners 1978–9 is a large series of black and white photographs that depicts individuals standing outdoors in the gardens they tend, which vary in character from sprawling fields in the countryside to small urban front gardens. Although the gardeners’ poses, expressions and clothing differ, they are all shown full-length standing in the mid-ground of the scene and looking towards the camera. The selection of forty prints from this series in the Tate collection (Tate T13087–T13126) was made and exhibited in 1979 for Keith Arnatt’s solo exhibition at the Anthony d’Offay Gallery, London. A different selection of prints was exhibited in his 1989 touring solo exhibition Rubbish and Recollections (Cambridge Darkroom; Oriel Mostyn, Llandudno; The Photographers’ Gallery, London; Ffotogallery, Cardiff). Arnatt took the photographs that make up this series during 1978 and 1979. To do so, he visited the sitters at their homes, photographing them in their own gardens. The series title, Gardeners, focuses the viewer’s attention on the gardeners rather than the gardens themselves, although the way in which Arnatt presents the individuals surrounded by the grass, foliage and sometimes concrete of their settings, with little else in view, suggests the intimate connection between the gardeners and their land. The repetitive nature of the composition and poses across each of the forty photographs also has the effect of drawing together a diverse group of people who have been photographed as a result of a shared hobby.