Dimensions: support: 404 x 304 mm
Copyright: © The estate of Keith Arnatt | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This photograph, "Gardeners" by Keith Arnatt, is quite intriguing. The man's stiff pose and the oddly placed "Coppers" sign create a rather unsettling mood. How do you interpret this work? Curator: Well, considering Arnatt's interest in subverting traditional photographic practices, I'd say this piece challenges the romanticized image of the gardener. The man is ordinary, even a bit awkward. This subversion raises questions about the social construction of labor and the idealized representations we often see. Editor: So, it's less about gardening itself and more about our expectations of it? Curator: Precisely. Arnatt makes us consider the cultural narratives we project onto these roles. It's a statement on the politics of representation, isn't it? Editor: That's fascinating! I hadn't considered the social commentary aspect. Curator: Art often challenges our preconceptions and makes us think about the world around us in a new light.
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Gardeners 1978–9 is a large series of black and white photographs that depicts individuals standing outdoors in the gardens they tend, which vary in character from sprawling fields in the countryside to small urban front gardens. Although the gardeners’ poses, expressions and clothing differ, they are all shown full-length standing in the mid-ground of the scene and looking towards the camera. The selection of forty prints from this series in the Tate collection (Tate T13087–T13126) was made and exhibited in 1979 for Keith Arnatt’s solo exhibition at the Anthony d’Offay Gallery, London. A different selection of prints was exhibited in his 1989 touring solo exhibition Rubbish and Recollections (Cambridge Darkroom; Oriel Mostyn, Llandudno; The Photographers’ Gallery, London; Ffotogallery, Cardiff). Arnatt took the photographs that make up this series during 1978 and 1979. To do so, he visited the sitters at their homes, photographing them in their own gardens. The series title, Gardeners, focuses the viewer’s attention on the gardeners rather than the gardens themselves, although the way in which Arnatt presents the individuals surrounded by the grass, foliage and sometimes concrete of their settings, with little else in view, suggests the intimate connection between the gardeners and their land. The repetitive nature of the composition and poses across each of the forty photographs also has the effect of drawing together a diverse group of people who have been photographed as a result of a shared hobby.