Dimensions: unconfirmed: 390 x 305 mm
Copyright: © The estate of Keith Arnatt | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This is Keith Arnatt's photograph, "Walking the Dog," now held in the Tate Collections. It looks quite ordinary at first glance. Editor: Ordinary, yes, but there's an undeniable pathos. The man, the dog, both seem weary, marked by time and toil. Curator: Arnatt often explored the mundane, elevating it to a subject worthy of artistic attention. Think about the labor involved in producing even a simple image like this, the choices of film, camera, and printing techniques. Editor: And the symbolism—the dog as a loyal companion, representing fidelity, perhaps even a stand-in for the artist himself, tethered to routine. Curator: Routine, exactly! Arnatt questioned the hierarchy of art, suggesting everyday activities are as valuable as grand narratives. Editor: I see in their shared gaze a connection to something deeper, a timeless bond between humans and animals. There's an echo of classical portraiture, stripped bare. Curator: Perhaps Arnatt wanted us to confront the value we place on the extraordinary versus the lived experience. The materials are simple, but the conceptual weight is significant. Editor: Indeed. It’s an image that resonates long after you look away.
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Walking the Dog is a large series of black and white photographs of individuals standing outside with their dogs. While the locations depicted in the photographs vary from street pavements and country lanes to parks and gardens, all the images in this series share consistent formal characteristics: in each case the single owner stands full-length in the centre of the image facing the camera with the dog at their feet, and no other human or animal can be seen within the tightly framed square shot.