Dimensions: support: 404 x 304 mm
Copyright: © The estate of Keith Arnatt | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: Here we have Keith Arnatt's photograph, "Gardeners," from the Tate collection. It's a black and white image, and there's something so ordinary yet striking about this man standing in his garden. What do you see in this piece? Curator: It's fascinating how Arnatt uses the documentary style to question the role of everyday life and labor within art. Consider how the image challenges traditional heroic representations of work. Editor: So, it's a commentary on the value, or lack thereof, placed on this kind of labor? Curator: Precisely. Arnatt invites us to reflect on how institutions and society frame our perceptions of value. I wonder, what does this image tell us about the public's engagement with these themes? Editor: I never thought about it that way; the image becomes more meaningful when considering how society views the individual's role.
Comments
Join the conversation
Join millions of artists and users on Artera today and experience the ultimate creative platform.
Gardeners 1978–9 is a large series of black and white photographs that depicts individuals standing outdoors in the gardens they tend, which vary in character from sprawling fields in the countryside to small urban front gardens. Although the gardeners’ poses, expressions and clothing differ, they are all shown full-length standing in the mid-ground of the scene and looking towards the camera. The selection of forty prints from this series in the Tate collection (Tate T13087–T13126) was made and exhibited in 1979 for Keith Arnatt’s solo exhibition at the Anthony d’Offay Gallery, London. A different selection of prints was exhibited in his 1989 touring solo exhibition Rubbish and Recollections (Cambridge Darkroom; Oriel Mostyn, Llandudno; The Photographers’ Gallery, London; Ffotogallery, Cardiff). Arnatt took the photographs that make up this series during 1978 and 1979. To do so, he visited the sitters at their homes, photographing them in their own gardens. The series title, Gardeners, focuses the viewer’s attention on the gardeners rather than the gardens themselves, although the way in which Arnatt presents the individuals surrounded by the grass, foliage and sometimes concrete of their settings, with little else in view, suggests the intimate connection between the gardeners and their land. The repetitive nature of the composition and poses across each of the forty photographs also has the effect of drawing together a diverse group of people who have been photographed as a result of a shared hobby.