Gardeners by Keith Arnatt

Gardeners 1978 - 1979

0:00
0:00

Dimensions: support: 404 x 304 mm

Copyright: © The estate of Keith Arnatt | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Keith Arnatt’s black and white photograph, simply titled "Gardeners", presents a study in the social role of labor and identity. Editor: It's a rather stoic portrait, isn't it? The sitter’s direct gaze and the muted tones create a feeling of quiet resolve. Curator: Absolutely. Arnatt often explored the relationship between individuals and their environments, challenging traditional notions of portraiture. Editor: I find it interesting to consider how gender and class intersect in this image. The gardener’s attire and the composition invite us to reflect on the representation of working-class masculinity. Curator: Right, the photograph questions established hierarchies by highlighting everyday life, giving prominence to those often overlooked in conventional art history. It is about the politics of representation. Editor: Yes, it prompts us to think about visibility and voice, about who gets to be seen and heard. It’s a subtle yet powerful commentary. Curator: Indeed, Arnatt's work provides a lens through which we can examine societal structures. Editor: And reconsider our own preconceived notions.

Show more

Comments

tate's Profile Picture
tate 2 days ago

http://www.tate.org.uk/art/artworks/arnatt-gardeners-t13091

Join the conversation

Join millions of artists and users on Artera today and experience the ultimate creative platform.

tate's Profile Picture
tate 2 days ago

Gardeners 1978–9 is a large series of black and white photographs that depicts individuals standing outdoors in the gardens they tend, which vary in character from sprawling fields in the countryside to small urban front gardens. Although the gardeners’ poses, expressions and clothing differ, they are all shown full-length standing in the mid-ground of the scene and looking towards the camera. The selection of forty prints from this series in the Tate collection (Tate T13087–T13126) was made and exhibited in 1979 for Keith Arnatt’s solo exhibition at the Anthony d’Offay Gallery, London. A different selection of prints was exhibited in his 1989 touring solo exhibition Rubbish and Recollections (Cambridge Darkroom; Oriel Mostyn, Llandudno; The Photographers’ Gallery, London; Ffotogallery, Cardiff). Arnatt took the photographs that make up this series during 1978 and 1979. To do so, he visited the sitters at their homes, photographing them in their own gardens. The series title, Gardeners, focuses the viewer’s attention on the gardeners rather than the gardens themselves, although the way in which Arnatt presents the individuals surrounded by the grass, foliage and sometimes concrete of their settings, with little else in view, suggests the intimate connection between the gardeners and their land. The repetitive nature of the composition and poses across each of the forty photographs also has the effect of drawing together a diverse group of people who have been photographed as a result of a shared hobby.