Gardeners by Keith Arnatt

Gardeners 1978 - 1979

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Dimensions: support: 404 x 304 mm

Copyright: © The estate of Keith Arnatt | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is Keith Arnatt's photograph, "Gardeners," from the Tate collection. I find the subject’s pose and the garden setting strangely unsettling. How do you interpret this work in terms of its cultural context? Curator: It’s fascinating how Arnatt disrupts traditional portraiture. He challenges the idealized representation of labor and the land often seen in British art. The mundane attire and direct gaze invite us to consider the socio-political implications of everyday life. Editor: So, it's less about celebrating the gardener and more about questioning the systems surrounding him? Curator: Precisely. It’s a commentary on class, labor, and the performative nature of identity within a specific cultural landscape. What did you take away from this piece? Editor: I see it as a challenge to our assumptions about representation and the hidden narratives within seemingly simple images.

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tate 2 days ago

http://www.tate.org.uk/art/artworks/arnatt-gardeners-t13106

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tate's Profile Picture
tate 2 days ago

Gardeners 1978–9 is a large series of black and white photographs that depicts individuals standing outdoors in the gardens they tend, which vary in character from sprawling fields in the countryside to small urban front gardens. Although the gardeners’ poses, expressions and clothing differ, they are all shown full-length standing in the mid-ground of the scene and looking towards the camera. The selection of forty prints from this series in the Tate collection (Tate T13087–T13126) was made and exhibited in 1979 for Keith Arnatt’s solo exhibition at the Anthony d’Offay Gallery, London. A different selection of prints was exhibited in his 1989 touring solo exhibition Rubbish and Recollections (Cambridge Darkroom; Oriel Mostyn, Llandudno; The Photographers’ Gallery, London; Ffotogallery, Cardiff). Arnatt took the photographs that make up this series during 1978 and 1979. To do so, he visited the sitters at their homes, photographing them in their own gardens. The series title, Gardeners, focuses the viewer’s attention on the gardeners rather than the gardens themselves, although the way in which Arnatt presents the individuals surrounded by the grass, foliage and sometimes concrete of their settings, with little else in view, suggests the intimate connection between the gardeners and their land. The repetitive nature of the composition and poses across each of the forty photographs also has the effect of drawing together a diverse group of people who have been photographed as a result of a shared hobby.