Très Parisien, 1924, No. 7 : 2.-RENCONTRE.-Ce trois pièces, (...) 1924

This fashion plate, Très Parisien, 1924, No. 7, is a lithograph on paper, and shows off a stylish encounter. What strikes me first is the way the artist uses thin, precise lines to define the figures. It's like a delicate dance of ink, capturing the essence of Parisian chic. The colors are muted, soft beige and gentle pinks, creating a sophisticated, understated palette. I am really drawn to how the flat planes give an insight into the garments' construction. The textures of the fabrics are implied rather than explicitly rendered, which is perfect because we fill in the gaps. This makes us co-creators of the image! Look at the way the pleats of the skirt are suggested with simple strokes. It's economical but so effective! It reminds me of the work of Erté, another master of Art Deco illustration, or maybe even Sonia Delaunay, with her bold use of color and geometric shapes in textile design. It's all part of the same conversation about modernity and the changing role of women. Art, it's all just a big, beautiful remix.