Club House, Argentina, 1931-1932: Isometric and perspective 1931 - 1932

Editor: This is Hanns Dustmann's "Club House, Argentina, 1931-1932: Isometric and perspective". It's a black and white architectural plan. It’s quite intriguing, almost like a bird's-eye view with a separate close-up. What historical narratives do you see within this work? Curator: Well, this plan speaks volumes about architectural aspirations in the early 1930s, doesn't it? Think about Argentina's position then: a nation grappling with modernization, seeking to project an image of progress and leisure. This club house becomes a stage for that performance. Editor: A stage? How so? Curator: The design itself embodies a certain social vision. Who was this clubhouse for? What activities did it promote? By studying the archives of Argentinian architectural journals of the time we can discover more about the intended social function and who was included or excluded. Editor: So it’s not just about the building, but the society it represents? Curator: Precisely! Dustmann's plan offers a glimpse into the cultural aspirations and social dynamics of a specific time and place. Editor: That is very helpful context; I see the cultural implications in a totally new way.