Interior of Africa, from "Court Game of Geography" 1838 - 1855

Editor: This is a print called "Interior of Africa, from 'Court Game of Geography,'" created sometime between 1838 and 1855 by William and Henry Rock. It looks like a rather rudimentary map. What do you see in this piece, beyond its obvious geographical subject? Curator: I see a fascinating example of how European powers constructed and disseminated knowledge about Africa. Notice the title itself, "Interior of Africa." It speaks volumes about European ambition to penetrate and map regions largely unknown to them, defining Africa on their terms. Editor: So it's more than just a simple educational tool? Curator: Precisely. The details included, like the labeling of "Soudan or Nigritia," highlight the specific areas that were of interest during the era of exploration and colonization. The inclusion of "Nigritia," literally 'land of the Blacks,' is deeply problematic. Editor: It's interesting how some of the names are recognizable and others not. Timbuktu is familiar, but not 'Taurick.' Were these maps widely distributed? Curator: Absolutely. “Court Game of Geography” suggests that the acquisition of such information became a form of entertainment for the educated classes, normalizing a sense of ownership and entitlement to this "knowledge" of Africa. The cute clover designs in the corners really contrast to the topic! It brings to light the dangers of how the ‘dark continent’ narrative was promoted at the time, shaping public perceptions and enabling exploitative practices. Editor: I had not thought of it that way; I was focused on it as a game! It definitely sheds light on how Africa was viewed, less as a collection of diverse societies and more as a resource to be charted and consumed by Europe. Thanks! Curator: And that's the power of looking at art through a historical lens! Seeing the public role of art, we've opened up a rich field of possibilities for further inquiry.