CTA 102 #6 by Victor Vasarely

CTA 102 #6 1966

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acrylic-paint

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op-art

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acrylic-paint

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abstract

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geometric pattern

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abstract pattern

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repetitive shape and pattern

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organic pattern

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geometric

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repetition of pattern

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vertical pattern

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abstraction

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pop-art

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pattern repetition

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layered pattern

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combined pattern

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repetitive pattern

Curator: Here we have Victor Vasarely’s "CTA 102 #6", an acrylic on canvas created in 1966. Editor: Whoa, it’s like staring into pure, concentrated sunshine…but somehow orderly? Gives me a slightly dizzy feeling, in a good way. Curator: Note the meticulous arrangement of circles, shifting in color and value to create a sense of depth and movement. It’s a prime example of Op Art principles, engaging the viewer’s perception through optical illusion. Editor: Op Art. Right. My perception's definitely being engaged. Are those circles expanding? Contracting? I can't tell. But there's also a beautiful stillness despite the visual trickery; it's all golds and browns modulating to intense yellows in the very center. The subtle gradients are almost meditative. Curator: Vasarely sought to create art that was universally accessible, divorced from personal expression. He explored geometric abstraction as a language that could communicate across cultures. The consistent repetition and the grid structure lend to the objective aesthetic. Editor: But you can’t remove feeling entirely! While very structural, to me there’s an emotional punch. The shift in hues evokes warmth, radiance… maybe even a kind of cosmic expansion, as in "CTA 102" being the name of a quasar, the radiant energy emitting from outer space! Curator: An astute observation! While the name relates to astrophysical phenomena, let's return to formal analysis. Consider how the artist leverages the relationship between figure and ground, destabilizing the eye and engaging an active response from the viewer. Editor: It is compelling, isn't it? It gets me thinking that perhaps "order" is an illusion and that patterns, however precise, give way to change. Looking at this piece and really letting it hit you… the closer you look, the further you travel from structure. It's freeing. Curator: Indeed. Vasarely's work continues to challenge and intrigue us with its perceptual gymnastics and its intriguing use of mathematical forms and harmonious hues. Editor: Agreed! "CTA 102 #6" is definitely something to meditate on for a bit.

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