textile
portrait
fashion design
underwear fashion design
baroque
fashion mockup
textile
fashion and textile design
fashion based
historical fashion
wearable design
clothing photo
fashion sketch
clothing design
Dimensions length 103.0 cm, width 48.0 cm, waist 104.0 cm, width 23.5 cm, width 63.5 cm, length 88.0 cm, length 87.0 cm, length 6.0 cm, width 71.0 cm, width 105.5 cm, height 140 cm, depth 105.5 cm
This riding coat, made for Ernst Casimir I, presents us with a fascinating display of status through the humble button. Observe the rows of buttons adorning this garment. Buttons, initially functional, have long served as potent symbols of wealth and power. Their presence here transcends mere utility, transforming into an ostentatious display that speaks volumes about the wearer’s standing. Consider how these small, repeated forms echo the regalia of rulers across time. The symbolic weight of such ornamentation carries through history, from the bejeweled robes of emperors to the meticulously crafted uniforms of military leaders. Like the all-seeing eyes that recur in ancient temples, the buttons exert a subconscious pull, reminding us of the pervasive human desire to assert dominance through visual means. The riding coat is a silent testament to the enduring power of symbols, subtly influencing our perceptions and engaging us in a timeless dance of cultural memory.
Comments
Ernst Casimir was stadholder of the provinces of Friesland, Groningen, and Drenthe. He was shot while visiting his men in the trenches during the Siege of Roermond (1632). At the fatal moment he was wearing this cloak (and the adjacent breeches and hat), which explains why these items of clothing have been preserved for so many centuries. Interestingly, the cloak can be worn buttoned up as a coat or unbuttoned as a cape.
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