Bed Jacket by M. Stevens

Bed Jacket c. 1935 - 1940

0:00
0:00

Dimensions length 45.0 cm, width 42.0 cm

Curator: This is a bed jacket made sometime between 1935 and 1940. I find its delicate features absolutely charming. Editor: My first impression is of gentle comfort, almost like a wearable hug rendered in shimmering fabric. It feels intrinsically feminine. Curator: Yes, the associations are intentional, particularly around vulnerability and convalescence. Bed jackets were common garments worn in private, suggesting a level of intimacy and even quiet luxury, intended for people recovering from illness. You can imagine it being gifted as a tender token. Notice the symbolic language; it's soft to the touch and delicate to the eye. Editor: Precisely. But that delicacy also implies a specific wearer: a privileged, likely white, woman of that era. While it radiates gentleness, the social implications are more complex, evoking rigid gender roles, dependency and domesticity. It begs us to consider who had the time and resources to recuperate in such elegance, versus those excluded. Curator: That's a crucial lens to apply. Visually, the silk's sheen acts almost like a halo, highlighting the jacket itself and drawing our focus towards the craftsmanship inherent in the work. It invites an almost reverential perspective. The subtle floral design repeats the theme, reinforcing ideals of purity and refinement. Editor: The strategic bow around the collar amplifies those feelings too, especially the cultural weight assigned to modesty and proper attire. In that respect, you realize it reflects its epoch's aesthetics: emphasizing tailored appearances, regardless of reality or background. Its "romantic" character is inseparable from historical politics, and that shouldn't be obscured. Curator: I appreciate you making these subtle cultural aspects stand out! I find that, despite that constraint, this kind of imagery provides comfort as well as emotional support which would empower whoever wears the garment in question. In all senses it symbolizes care; isn’t that lovely? Editor: Yes, there’s a fascinating paradox there. A garment designed to both cocoon and present a very specific vision of womanhood, a snapshot into past socio-economic confines. Thanks for pointing this out to me, so interesting.

Show more

Comments

rijksmuseum's Profile Picture
rijksmuseum over 1 year ago

When one wanted to read in bed before going to sleep, it was advisable to wear a bed jacket to keep warm, as many houses did not yet have central heating. Accordingly, this model is quilted. It was made by Maison Stevens, which established a lingerie shop in the Naamsestraat, a street with many luxury dress shops in Brussels, in the mid-1930s.

Join the conversation

Join millions of artists and users on Artera today and experience the ultimate creative platform.