Kaart van het beleg van Den Bosch door Frederik Hendrik, 1629 by Anonymous

Kaart van het beleg van Den Bosch door Frederik Hendrik, 1629 1629

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print, engraving

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print

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geometric

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line

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cityscape

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history-painting

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engraving

Dimensions height 346 mm, width 420 mm

Curator: This print from 1629 depicts “Kaart van het beleg van Den Bosch door Frederik Hendrik,” or in English, "Map of the Siege of Den Bosch by Frederick Henry." Editor: The starkness of the engraving really brings home the military precision. Look at all those clean lines charting every fortification. Curator: Indeed. This isn't just a picture, it's a political tool. The map immortalizes a key victory for the Dutch Republic against the Spanish. It reflects the power and strategy associated with Prince Frederick Henry of Orange. These maps were critical in disseminating news, but also creating and bolstering a sense of national identity. Editor: I’m struck by the artist's masterful use of line. Look at the contrast between the heavily fortified city and the implied openness of the surrounding land. It seems as if every channel and waterway has been considered within this composition. It creates a clear visual hierarchy. Curator: Consider what the siege of 's-Hertogenbosch represented during the Eighty Years’ War. Capturing the city was a major strategic achievement that signaled a shift in power, solidifying Dutch control. Remember the social and religious tensions that fed the conflict, with Den Bosch being a significant Catholic stronghold. Editor: Even without knowing the history, you can sense the tension in the geometrical rigor of the composition. All of those precise shapes point to order and power. Even today, there’s an impressive design here. It draws your eye right into the walled city in the center. Curator: And these prints were not just viewed as informative records. They were proudly displayed. Placed in homes of wealthy merchants, in town halls... These maps reinforced the legitimacy and authority of the Dutch Republic. Editor: A stunning piece in its detail. You really feel the control and exactitude needed both to conduct a siege, and record it. Curator: Precisely, a fusion of art and political aspiration from the Rijksmuseum collection. Editor: Indeed, something very compelling about that fusion.

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