Sgrol-dkar (The White Tara or White Savioress) by Anonymous

Sgrol-dkar (The White Tara or White Savioress) c. 18th century

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painting, watercolor

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water colours

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painting

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asian-art

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figuration

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watercolor

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watercolor

Dimensions 64 x 38 1/2 in. (162.56 x 97.79 cm)

This is a painting of Sgrol-dkar, The White Tara or White Savioress. The painting’s origins are unknown. Paintings such as this one have historically served as instruments for meditation, with the images acting as guides toward enlightenment. Here, Tara sits in serene contemplation, her white skin a traditional marker of purity, healing, and compassion. The lotus she sits upon is also symbolic, suggesting the potential for awakening residing within all of us. Note the eyes on her hands and feet, representing her all-seeing ability to perceive suffering. In a patriarchal world, Tara embodies the feminine divine, providing an alternative to conventional representations of power. Her presence underscores the significance of female energy and wisdom. The proliferation of such images reflect the growing influence of Buddhist thought, and speak to the enduring human longing for healing.

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Comments

minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Tara, the goddess of mercy, is one of the most popular deities of Tibetan Buddhism. She is incarnated in two principal forms, green and white, symbolizing night and day, respectively. Both are consorts of Avalokitesvara, the bodhisattva of compassion and the patron deity of the largest school of Tibetan Buddhism, the Yellow Hat Sect. Here Tara holds in her left hand a lotus blossom, symbol of spiritual purity and her standard attribute. Her right hand expresses the gesture of bestowing compassion, the varada mudra. In the upper right corner is Padmasambhava, the great Indian teacher, with Karmavajra on the left and a lama between. At the bottom of the thanka are three protective images, including Mahakala and Lhamo who act here as wrathful guardians of Buddhist thought.

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