Copyright: © Cildo Meireles | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Cildo Meireles's "Insertions into Ideological Circuits 2: Banknote Project." It seems to be a modified five-dollar bill. The blue text overlay creates such a stark contrast, visually. What do you make of the choices in composition? Curator: The superimposition of text onto the banknote disrupts its conventional function as a mere financial instrument. Note how the artist overlays the original design of the banknote with a message, challenging its inherent symbolic value. Editor: So the original image acts as a canvas for the text. Are you saying it's an act of visual defiance? Curator: Precisely. The choice of typography, its color and placement, all serve to subvert the established order of the banknote's design. It prompts us to consider the nature of communication within economic structures. Have you noticed anything about the stamp itself? Editor: It's a very direct way to make a statement. I appreciate how clearly you explained the relationship between the design and its message.
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http://www.tate.org.uk/art/artworks/meireles-insertions-into-ideological-circuits-2-banknote-project-t12520
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Meireles started this project during the military dictatorship in Brazil. In the face of strict state censorship he stamped messages calling for democracy and political freedom on banknotes and returned them into circulation. This work relates The Coca-Cola Project. The artist is happy for others to participate in this project, stamping their own messages on the banknotes of any country. For Meireles, the notes displayed here are only documentation. The work operates when the notes are used as currency. Gallery label, August 2020