Copyright: © Cildo Meireles | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Let's discuss Cildo Meireles' "Insertions into Ideological Circuits 2: Banknote Project." It's a politically charged piece where Meireles stamped banknotes with questions and statements. Editor: It feels like a whispered scream. Seeing that question, “Quem matou Herzog?” [Who killed Herzog?] on a banal object like a banknote... it's chilling. Curator: The artwork directly confronts state violence and censorship during the Brazilian military dictatorship. Herzog, a journalist, was murdered by the regime, and this work circulates that forbidden question. Editor: Exactly! Money talks, right? But here, it shouts. It’s a clever subversion, turning currency into a tool of resistance, spreading truth where it’s least expected. Curator: It highlights the power of art to disrupt established narratives and engage with crucial socio-political issues. Editor: It’s a haunting reminder that even small acts of defiance can carry immense weight.
http://www.tate.org.uk/art/artworks/meireles-insertions-into-ideological-circuits-2-banknote-project-t12531
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Meireles started this project during the military dictatorship in Brazil. In the face of strict state censorship he stamped messages calling for democracy and political freedom on banknotes and returned them into circulation. This work relates The Coca-Cola Project. The artist is happy for others to participate in this project, stamping their own messages on the banknotes of any country. For Meireles, the notes displayed here are only documentation. The work operates when the notes are used as currency. Gallery label, August 2020