Insertions into Ideological Circuits 2: Banknote Project by Cildo Meireles

Insertions into Ideological Circuits 2: Banknote Project 1970

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Copyright: © Cildo Meireles | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Cildo Meireles' work, "Insertions into Ideological Circuits 2: Banknote Project", invites a curious interaction. He used actual banknotes, in this case, it looks like a 100 Cruzeiros bill from Brazil. Editor: The visual is arresting; the overprinting of soldiers feels both aggressive and vulnerable. It makes you wonder about the stories this particular bill carries. Curator: Indeed, Meireles encouraged people to stamp messages onto banknotes and re-circulate them. He aimed to transform money, a symbol of power, into a vector for free speech under authoritarian regimes. Editor: The very act of defacing currency is charged with rebellious energy. It is an act of defiance and courage, literally injecting ideas into the stream of commerce. Curator: Absolutely. It's a poignant reminder that art can exist within, and disrupt, the everyday. This work turns a simple transaction into a political act. Editor: It's left me thinking about the power of quiet subversion and how even small acts can ripple outwards. Food for thought.

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tate 4 days ago

http://www.tate.org.uk/art/artworks/meireles-insertions-into-ideological-circuits-2-banknote-project-t12523

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tate 4 days ago

Meireles started this project during the military dictatorship in Brazil. In the face of strict state censorship he stamped messages calling for democracy and political freedom on banknotes and returned them into circulation. This work relates The Coca-Cola Project. The artist is happy for others to participate in this project, stamping their own messages on the banknotes of any country. For Meireles, the notes displayed here are only documentation. The work operates when the notes are used as currency. Gallery label, August 2020