Belgische Almanak voor 1858 1857 - 1858

This ‘Belgische Almanak voor 1858’ was produced anonymously as a printed sheet, likely using lithography. In this process, a design is drawn onto a stone or metal plate with a greasy substance, and then treated with acid to fix the image. The resulting print holds a wealth of information, from the monthly calendar to the visual metaphor of truth being weighed against falsehood. The layout is cleverly designed, with dense typography framing the central allegorical scene. But let’s focus on that central image, with the figures of power lined up to tip the scales of justice – or, more accurately, injustice. On the right side are two figures in simple attire. On the left side is an array of caricatures suggestive of political satire. The choice of printing as a medium is significant, allowing for mass production and dissemination of information. It speaks to broader issues of labor, politics, and consumption, with the print acting as a form of social commentary. It is by understanding these material and social contexts that we can fully grasp the significance of an artwork like this, challenging conventional distinctions.