drawing, lithograph, print, graphite, pen
drawing
comic strip sketch
lithograph
impressionism
caricature
figuration
line
graphite
pen
history-painting
Dimensions height 275 mm, width 215 mm
This political cartoon was created in 1882 by Johan Michaël Schmidt Crans. We see a circus scene, dominated by potent symbols: a performer standing on horseback and a large balloon labeled "Colonies," held aloft by an attendant. The image of the circus is itself a loaded metaphor, evoking spectacles of power. The horse-riding performer recalls equestrian statues of emperors, and the balloon is representative of colonial ambitions. This act mirrors displays of dominance and control. The “Colonies” balloon connects to other symbolic balloons found in earlier alchemical illustrations that allegorize human consciousness. Here, the balloon is more than a symbol of aspiration. It carries with it the weight of colonial power and the complex dance of control. Like a bubble, the symbolic meaning has shifted over time. The subconscious desire for exploration and control, once a driver for knowledge, is now tinged with the complexities of colonial rule. This symbolic language of power, like a recurring dream, persists through history, resurfacing in new guises and demanding our attention once more.
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