Notater vedrørende Peder Dyrskjøt. beretning om faderens død uddrag af "Borgervennen" 1799 by Niels Larsen Stevns

Notater vedrørende Peder Dyrskjøt. beretning om faderens død uddrag af "Borgervennen" 1799 1933 - 1934

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drawing, textile, paper, ink

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drawing

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textile

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paper

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ink

Dimensions 175 mm (height) x 109 mm (width) (monteringsmaal), 175 mm (height) x 109 mm (width) (bladmaal)

Curator: This piece, "Notater vedrørende Peder Dyrskjøt," created by Niels Larsen Stevns between 1933 and 1934, presents an intriguing image. It’s a drawing in ink on paper and textile, held at the Statens Museum for Kunst. Editor: It looks like handwritten notes, almost like a page ripped from a diary. The density of the script gives it a rather serious, historical mood, and it makes me wonder what's written in the old text. How do you interpret a work like this through the lens of art history? Curator: Well, first, let's consider the historical context. The artist created this in the interwar period in Denmark. What societal values or public needs might Stevns be responding to in his work? Editor: I suppose this recalls Denmark's history and culture, maybe at a time of uncertainty, focusing on a concrete Danish reference is a way of grounding the audience. Curator: Exactly. This could be a critical reflection on historical narratives or even an attempt to connect with a pre-industrial past amid rapid modernization. What political and social functions might such historical explorations fulfill? And does this reinforce established cultural narratives, or offer new perspectives? Editor: Interesting point. I didn’t initially think about its public role or how it might reinforce or challenge historical narratives. Now that I know, I can imagine that it definitely evokes an important period in Denmark's collective memory. Curator: It challenges me to think about how a society processes the past, especially through its art. Stevns prompts us to remember what public values are and reflect upon the contemporary function of such representation, what about you? Editor: I'll be sure to approach historical artwork not just for aesthetic enjoyment, but considering the cultural and political backdrop it brings to light.

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