Dimensions: image: 302 x 210 mm
Copyright: © The estate of Ian Breakwell | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Here we have an untitled image by Ian Breakwell. Editor: It’s quite striking! Very graphic, like a ransom note made of memories… or maybe anxieties. Curator: Breakwell was born in 1943 and died in 2005. This piece, held in the Tate collections, utilizes collage with text and stark monochrome imagery. Editor: The phrase "Hands up any woman who..." dominates the top, coupled with the year "1969". It feels like a challenge, or a fragment of a thought, interrupted and reassembled. Curator: His work often explored social commentary and the intersection of the personal and the political through photography, text, and performance. Editor: There’s something unsettling about the disembodied hands and figures. The snippets of text add to the feeling of fragmented narrative, as if we're eavesdropping on a private moment. It makes you wonder "hands up any woman who" what exactly? Curator: Exactly. Breakwell challenges viewers to question the narratives we construct and consume, and his images often leave us with more questions than answers. Editor: It certainly does that! I keep coming back to that incomplete sentence, it lingers long after you've looked away.
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This series of screenprints is based on pages from diaries the artist has kept since 1965. They include photos, magazine cuttings and drawings as well as writing. Breakwell said his diaries record 'the side-events of daily life, by turns mundane, curious, bleak, erotic, tender, vicious, cunning, stupid, ambiguous, absurd, as observed by a personal witness'. Gallery label, September 2004