Dimensions: image: 302 x 210 mm
Copyright: © The estate of Ian Breakwell | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This piece by Ian Breakwell, created without a title in 1979, layers a stark image reminiscent of religious iconography over a fragment of text. It’s a bit like a visual poem, isn't it? What leaps out at you? Editor: It feels… oppressive. The stark contrast, the Pieta-like figure, combined with that stream of consciousness text…it's heavy. How do you interpret that tension between the visual and the written? Curator: I think Breakwell is pointing towards the suffocating weight of history, of the stories we tell ourselves. The image suggests suffering, while the text hints at a kind of detached observation of the everyday, almost banal, world around it. Are we all just numb witnesses? Editor: So, it’s less about religious suffering and more about the suffering of… indifference? I hadn't considered that. Curator: Perhaps. Or maybe it’s about the way we frame suffering, package it, even. Makes you wonder what we choose to see, and what we ignore, doesn't it? Editor: Definitely gives you something to think about. Thanks!
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This series of screenprints is based on pages from diaries the artist has kept since 1965. They include photos, magazine cuttings and drawings as well as writing. Breakwell said his diaries record 'the side-events of daily life, by turns mundane, curious, bleak, erotic, tender, vicious, cunning, stupid, ambiguous, absurd, as observed by a personal witness'. Gallery label, September 2004