Stad Braga in vogelvluchtperspectief by Pieter van den Berge

Stad Braga in vogelvluchtperspectief 1694 - 1737

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print, etching

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print

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etching

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landscape

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etching

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cityscape

Dimensions height 165 mm, width 256 mm

Curator: Pieter van den Berge, a name not immediately familiar to all, created this intriguing etching, “Stad Braga in vogelvluchtperspectief,” sometime between 1694 and 1737. It now resides here at the Rijksmuseum. Editor: It strikes me as beautifully claustrophobic. Everything is so contained and meticulously organized within those tight borders and circular structure, as if nature itself is being forced into a prescribed pattern. Curator: Indeed, the city walls create an undeniable visual boundary, centralizing the structures. Note the careful distribution of tonal values, the interplay between light and shadow rendered through dense hatching techniques, effectively mapping out a town planning logic of Braga’s physical infrastructure. The circular city shape reflects concepts of geometric order. Editor: Circles, historically, evoke notions of totality, enclosure, sometimes even spiritual perfection. Enclosing a city this way implies control, protection, but perhaps also restriction—the limits of civilization against the perceived chaos of the outside. The bird's-eye perspective emphasizes dominance. Curator: It is certainly not just a topographical survey. There is a structured harmony, if you will, across the composition’s color scheme. The minimal use of color, restricted primarily to pale greens and ochre, works cohesively, achieving aesthetic unity with clearly delineated fields, river, and individual structures, demonstrating skilled engraving and sophisticated control over formal visual components. Editor: And the colors themselves evoke earth, growth, a specific idea of cultivation, almost Edenic despite the obviously urban landscape. The light yellows hint at the warmth of home, familiarity, the comfort of belonging to this constructed space. Curator: A fascinating interplay. Perhaps one reflecting Van den Berge's observations on humankind's impulse to control its domain through symbolic actions materialized through urban design principles. Editor: So, while seemingly straightforward, this piece is full of quiet suggestions regarding humankind and its surroundings. Curator: Exactly. Its refined structural harmony allows us to see beneath what first seems an objective depiction. Editor: A single artwork yields layers to ponder!

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