print, engraving
baroque
old engraving style
cityscape
history-painting
engraving
Dimensions height 420 mm, width 508 mm
Editor: Here we have Jacobus Harrewijn's "Mislukt beleg van Brussel door de Fransen, 1708", or "The Failed Siege of Brussels by the French, 1708", an engraving dating from around 1708-1709. The density of detail is striking – it feels like a marriage of technical drawing and art. What symbols and hidden meanings do you see in this historical bird’s eye view? Curator: The entire image *is* a symbol – of power, defense, and historical memory. Cityscapes in this era were often commissioned to project strength and order, even amidst conflict. Notice how the orderly layout and defined structure contrast with the reality of a siege, hinting at a narrative beyond mere representation. Can you detect how cultural anxieties play out in the emphasis on fortifications? Editor: I see what you mean. The strong lines of the fortifications almost seem to dominate the city itself, but is the attempt at scientific accuracy a symbolic expression? Curator: Precisely. Accuracy was a tool. By detailing the city's layout, Harrewijn evokes control and knowledge. The very act of mapping equates to understanding and therefore control over that which is being mapped, a reassuring illusion in uncertain times. How does this affect the modern viewer? Editor: Knowing this wasn't just an objective exercise, but a potent symbol of power shifts my perspective. It reminds us that every image carries intention. Curator: Indeed. And the endurance of these symbols over time? They show us a cultural need to interpret and reinterpret events to form collective memories. Editor: So, it's less about documenting the event and more about immortalizing a certain viewpoint on it. Fascinating! Curator: Yes, in essence, that´s exactly it. The failed siege becomes not merely a historical fact, but a mythologized account, continuously reshaped in collective memory.
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