Plate with Narcissus, Cupid and Echo Transformed into Stone c. 1530

This plate depicting Narcissus, Cupid, and Echo was crafted by Francesco Xanto Avelli in the 16th century. Cupid, the god of love, is shown drawing his bow. His presence invokes the theme of desire and its often painful consequences. Here, we see the myth of Narcissus, famously punished for his vanity by being made to fall in love with his own reflection. Consider the tale of Actaeon, transformed into a stag, and torn apart by his own hounds after witnessing Diana bathing. This motif, deeply rooted in classical antiquity, continues to resonate, appearing in varied forms throughout history. The image of transformation—human to animal, or flesh to stone as with Echo—speaks to our deepest fears of mortality and loss of self. The terror of losing one's identity manifests in these enduring symbols, engaging viewers on a subconscious level. This plate invites us to reflect on how these ancient stories echo through time, shaping our understanding of love, loss, and the human condition.