Plate (tagliere) 1534

Editor: Here we have "Plate (tagliere)" made in 1534 by Francesco Xanto Avelli da Rovigo, an earthenware piece currently housed at the Metropolitan Museum. The scene feels quite dramatic and fantastical. I’m particularly struck by how the artist uses the circular format to contain the unfolding story. How do you interpret this work? Curator: Indeed! It’s remarkable how much narrative and symbolism is packed onto this plate. Notice the turbulent action contrasted with the relative calm of the architectural backdrop; how does that strike you? To me, it is a contrast between divine power and human civilization, maybe. This tension speaks volumes. But it's the figure of Cupid here I find the most fascinating: observe that he appears to be stirring things up, perhaps representing the unpredictable, even chaotic, nature of desire. The figures are almost theatrical, reminiscent of stage players. The Renaissance interpretation and rebirth of classical allegory made sure Cupid would hang around for a good while. Editor: I hadn’t considered the architectural background in that way. You’re right, Cupid definitely adds an element of mischief and chaos. Why choose earthenware as a medium to convey these big mythological and symbolic ideas? Curator: Earthenware provided an accessible canvas. Practical art pieces like these weren't necessarily regarded as ‘high art’ at the time. Placing mythological scenes on domestic objects brings those grand narratives into daily life, acting as a kind of constant cultural reminder, influencing how individuals perceived their world through classical tales, values, and symbolism. Editor: I see what you mean; a potent cultural message served daily. Curator: Precisely. It really shows you the profound depth even functional art can contain. It is also remarkable what lasting and echoing impressions art continues to have today! Editor: That’s given me a lot to think about, thank you. I had never considered functional items to have symbolic depth.