William II, Prince of Orange, from Nine Portraits 1649

This is Cornelis Visscher’s engraving of William II, Prince of Orange. The young prince is framed by an oval, a shape echoed in the protective armor on his shoulder. This circular motif is not merely decorative; it carries deep historical weight. Consider the shield, the ancient symbol of protection, here refined into the curve of his armor. From antiquity to the Renaissance, the shield has represented not only physical defense but also the safeguarding of virtues and ideals. Think of the Greek heroes bearing emblazoned shields, each a symbol of personal and communal identity. In William's portrait, this emblem evolves, adapting to the fashions of the 17th century yet retaining its fundamental essence. The circular form subtly resonates with the cyclical nature of power and protection. Even today, we unconsciously associate circles with safety, completeness, and the eternal return. It's a visual echo that taps into our collective memory, reminding us of the enduring human need for security.