Wide three-case inro showing plovers in flight above waves c. early 18th century
komakyuhaku1
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This three-case inro, a traditional Japanese container worn on a sash, was made by Koma Kyūhaku, a prominent lacquer artist who flourished in the early 18th century. The inro is decorated with mother-of-pearl and gold lacquer, showcasing a dynamic scene of plovers in flight above crashing waves. Its intricate design and craftsmanship exemplify the artistry of Japanese lacquerware during the Edo period, showcasing the use of traditional techniques and materials. This piece is an excellent example of Japanese decorative art, highlighting the skill and artistry of its creator.
Comments
A number of different motifs are fit onto this compact four case inrō, beginning with a “plover over waves” design in the style of the Rinpa artist, Ogata Kōrin (1658–1716). The plovers are executed in chunky mother-of-pearl inlays and takamaki-e, and fly over mountainous waves that simulates the look of pewter sheeting—an element favored by Kōrin and his predecessor, Hon’ami Kōetsu (1558–1637). Oversized inlays are used for the depiction of the water wheel and rock basket as well, creating an artfully cluttered composition. The imagery of plovers over waves is a common Japanese literary convention, which seems to have first appeared in the Kojiki, an 8th-century compendium of Japanese origin myths. The scene generally connotes the struggle to surmount the difficulties of life.
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