Sash by Jat

Sash c. 1950

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weaving, textile, wool

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weaving

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textile

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wool

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beaded

Dimensions: 128 x 3/4 in. (325.12 x 1.91 cm) (Includes pompoms)

Copyright: Public Domain

Curator: We are looking at "Sash," a woven wool textile likely created around 1950. It’s now part of the collection at the Minneapolis Institute of Art. Editor: It strikes me immediately with its deep, saturated red—it almost vibrates. And those heavily beaded tassels! There’s a richness, almost a weight, that’s hard to ignore. Curator: Indeed. The weaving is quite detailed, a sort of repetitive pattern in the bands. Notice how the lines of small white squares offer a visual counterpoint to the primary color. The maker, unfortunately unknown to us, worked with painstaking skill. The wool creates both texture and visual appeal. These items contain a symbolic richness often carried forward and perpetuated. Editor: The contrast really underscores a tension between tradition and… well, maybe disruption isn't the right word, but there’s something inherently performative about a piece so clearly intended for display, for pageantry, or perhaps marking an important shift, transition, or acknowledgement of power. I’m curious about what occasions this was for, what statements of identity were being constructed? What is your interpretation of its intent? Curator: The symmetry, the careful construction of the tassels with their beadwork... It suggests a ritualistic significance. I'm curious about the red color which can speak to strength and honor and I suspect it could signal very specific moments. These sort of indicators help in decoding the image. Editor: It's the weight and density of it. You can sense the amount of labor poured into the textile—it speaks of commitment and community. Every stitch represents something deliberate. If we were to study the material culture further, understanding what types of red dyes were used and their origins might reveal even more layers to understanding its place of significance within a social stratum. Curator: Precisely. The beads themselves might reveal a trade network, a transfer of technology, not just the final artistry itself. Editor: The textile holds echoes, not just of craft, but of shared experience. Curator: And perhaps its own unique symbolism continues to transform, each time this sash is seen and thoughtfully considered. Editor: A quiet conversation about resilience, beautifully woven and strung with meaning.

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