X-radiograph(s) of "Sophia Doggett" 

Editor: Here we have an X-radiograph of Gilbert Stuart's "Sophia Doggett." It's fascinating to see this beneath-the-surface view, this kind of skeleton of the artwork. What strikes you when you examine its composition and structure? Curator: The radiographic image, devoid of color, directs our attention to the stark contrasts of density. Note the pronounced linear network; this is likely the canvas weave, a foundational element. The areas of opacity reveal locations of pigment concentration or material build-up, which give definition to the image. Editor: So, the varying densities almost create a new abstract composition? Curator: Precisely. The formal elements themselves—line, value, texture—become the subject. The original image becomes less important as we observe the materiality and decay of the painting itself. Editor: That's a completely different way of appreciating it, focusing on its formal properties! Curator: Yes. This process prompts us to question what constitutes the essence of the artwork.