Medallion with Portrait of Comte de Mirabou c. late 18th century
relief, ceramic, sculpture
portrait
neoclacissism
decorative element
relief
ceramic
figuration
historical fashion
sculpture
history-painting
decorative-art
Dimensions: Diam. 5.9 cm (2 5/16 in.)
Copyright: Public Domain
Curator: What we have here is a medallion created by Wedgwood Manufactory around the late 18th century. It’s a portrait of Comte de Mirabeau, rendered in ceramic relief. Editor: It strikes me as classically cool – literally. The blue and white are crisp, formal. It’s contained, restrained...very much of its era. Curator: Absolutely. The material itself, the ceramic, speaks volumes about Wedgwood’s industrial innovation. This wasn't just about art; it was about producing accessible luxury goods for a burgeoning middle class eager to emulate aristocratic taste. Mirabeau himself was, of course, a figure deeply enmeshed in the revolutionary politics of the time, making this a fascinating intersection of art, industry, and social change. Editor: From a formal perspective, the contrast is wonderfully stark. The raised portrait against that cobalt ground creates an immediate focal point. The stylized border is a study in controlled ornamentation, amplifying the medallion's sense of idealized composure and containment. Curator: Wedgwood’s process was truly groundbreaking. Each medallion was molded, fired, and carefully finished, with incredible attention to detail in the modeling of Mirabeau’s features and costume. Think about the labor involved, the division of tasks in the factory, and the distribution networks that carried these medallions across Europe. It’s all part of the artwork’s story. Editor: It’s an exquisite example of neoclassicism, drawing upon those traditions and then streamlining it for fashionable consumption, but the cool palette and refined details also suggest something about the emotional climate of the era – that sense of reason and order amidst social upheaval. Curator: Precisely. It highlights how even the most seemingly decorative objects are interwoven with complex threads of production, politics, and power. Editor: Indeed, and analyzing the relationships between form and content reminds us that art objects provide insights into their era of origin. Curator: It does offer a potent glimpse into that period of immense social transformation. Editor: A cool distillation of a hot historical moment.
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