Medallion with Petronia c. late 18th century

Editor: Here we have a ceramic relief medallion titled "Medallion with Petronia," created by the Wedgwood Manufactory in the late 18th century. The crisp white profile against the dark background is so striking! What can you tell us about this piece? Curator: This piece speaks volumes about the socio-political landscape of the late 18th century. Wedgwood was deeply invested in associating its products with virtue and classical ideals, mirroring the rise of Neoclassicism. Notice how the portrait echoes ancient Roman cameos, evoking associations with republicanism and imperial power. Who do you think Petronia was? Editor: I'm not sure. Someone of importance? Was this for personal use, or to promote ideas? Curator: Excellent question. It highlights the public role art played then. Wedgwood mass-produced these medallions, enabling wider access to imagery associated with elite culture and political ideals. The scale allowed it to function as jewelry. What do you make of that? Editor: So it was a way to carry around your ideals, almost like a campaign button? I guess a piece like this could demonstrate the wearer's allegiance to those ideals in a portable format. Curator: Exactly. Furthermore, consider who "Petronia" likely *wasn't*. It's more likely to be referencing a roman figure of high status. The "Petronia" functions more as a brand name and symbol. Can you appreciate, then, the loaded nature of imagery and the implications it carries for art's cultural standing? Editor: Absolutely, it's more complex than just a pretty face. The choice of subject, the mass production… it's all part of constructing and communicating a specific message. Thanks! I'll never look at a decorative ceramic the same way again!