photography
portrait
self-portrait
photography
realism
Dimensions height 43 mm, width 31 mm
Curator: Here we have a black and white photograph entitled, "Portret van een onbekende vrouw met hoed," or "Portrait of an Unknown Woman with Hat," possibly taken between 1912 and 1919 by Electrische Snelfotografie. What’s your first impression? Editor: Somber. It feels very formal and distant, doesn't it? Like she’s staring through you. Yet there's also something quite vulnerable about the composition. Curator: Absolutely, and I think that contrast makes it compelling. The dark hat and coat against the plain backdrop certainly create a sense of formality, almost a uniform. But her expression… Editor: Right, her expression undermines that rigidity. There's a kind of tentative sadness there, and she's almost holding those flowers like a shield. The flowers also look symbolic—Lilies for mourning and grief maybe? Curator: Could be! And you know, even the technology itself—the "electric snap photography" implies a new speed and accessibility, maybe reflects a democratization of portraiture during that period. Editor: That's a brilliant point. It suggests this isn't some wealthy elite commission, but a conscious decision for perhaps a more average woman to record her likeness. And a single print to send overseas as a souvenir or family heirloom to cherish. This all becomes part of her memorial as we keep passing along and copying the picture from old paper print to electric images, no? Curator: Yes, precisely! There's a sense of intimacy even within this formally posed shot. That direct gaze, it’s an assertion of self. It feels very intimate, and almost secretive as there’s nothing on the photograph to confirm identity and it has not traveled widely in collective memory to this day. Editor: It’s a powerful intersection of vulnerability and self-possession, I think. A captured moment made even more mysterious with the distance of time and circumstance. She might want to be captured yet remembered in our own time. Curator: Ultimately, it's about that elusive connection, isn't it? About seeking traces of humanity across time. Thank you, for walking us through it with me today. Editor: My pleasure, I shall always appreciate the journey images can reveal about the stories they withhold from us as we gaze into the abyss.
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