Jean Harold, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes by Allen & Ginter

Jean Harold, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes 1885 - 1891

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print, photography

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portrait

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print

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figuration

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photography

Dimensions Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm)

Editor: So, this is "Jean Harold, from the Actors and Actresses series" produced between 1885 and 1891 by Allen & Ginter for Virginia Brights Cigarettes. It's a small print, feels almost like a photograph pasted onto cardstock. I'm immediately struck by the subject matter juxtaposed with its function as advertisement – how strange to promote cigarettes with an actress! What can you tell me about its significance? Curator: It's certainly a product of its time. These cards were a common marketing strategy. By including actresses, athletes, or other popular figures, companies aimed to boost sales, associating their product with aspirational figures. We see how consumer culture begins to blur the lines between art, celebrity, and product endorsement. Consider, how does the presentation of Jean Harold here – her pose, attire – influence perceptions of Virginia Brights cigarettes? Editor: That's fascinating. I guess I hadn’t thought about how strategically placed she is; everything from her slight smile, her presentation seems very deliberate to be marketable. Were these types of advertising collectibles widely considered ‘art’ in their time, or were they purely commercial? Curator: Their status was, and still is, debated. Art institutions of the period likely wouldn’t have considered these "high art." Yet, their mass production and consumption reveal much about Victorian society. It suggests a democratization of imagery, but one firmly controlled by commercial interests. The cards' survival in museum collections reflects our interest in the material culture of everyday life. To whom did it democratize imagery, do you imagine? Editor: Well, primarily to those who could afford cigarettes, of course, which limits it. But it sounds like these objects, dismissed as mere advertisements then, are valuable historical documents today. I had not expected to engage with the confluence of performance and marketing, and find complexity therein! Curator: Exactly. It highlights how seemingly trivial items can offer insight into the cultural values and power structures of the past. Considering this small image can unlock entire narratives about the era.

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