Drukkersmerk van Jan (I) Mommaert 1682

Curator: Let's consider this intriguing print from 1682, "Drukkersmerk van Jan (I) Mommaert," currently residing in the Rijksmuseum. It's attributed to Jan Mommaert, crafted with engraving techniques, and it's fascinating how it weaves together allegory and figuration. Editor: Whoa. Okay, my first impression? It’s got this beautiful kind of darkness to it, even in its detail. The angels look kinda mournful, weighed down, but powerful. I like the way the lines feel… like whispers. Curator: Indeed. As a printer's mark, it presents a layered symbolic narrative, wouldn't you say? Notice the winged figures flanking the central element – they are almost melancholic. Consider how the artist is playing with themes of hope and perseverance, even amidst adversity. It’s evident in the Latin motto, “Post Tenebras Spero Lucem" - "After darkness, I hope for light." Editor: Right, and it totally nails that whole Baroque drama vibe, right? It's more than just angels holding torches, isn’t it? The way they hold the torches almost… precariously. I wonder about that struggle… whether that artist had it rough. What's your take on the serpent at the bottom? Curator: Ah, the serpent—such a potent symbol. Its serpentine form entwined within the emblem suggests perhaps the constant struggle with challenges in intellectual and creative pursuits. Moreover, it serves to connect classical mythology with the baroque aesthetic. I find myself wondering, too, about the intersectional nature of this piece: considering what identity is at play when images like this circulated. How would Mommaert's diverse audiences interpret it? Editor: Well, it feels very relevant. This light and shadow struggle still hits home today, right? We all dig in the dark at some point, grasping at a flame. It’s this universal image... Curator: Precisely. And what do we make of that bird looking so smug perched on the top? Its location between the two figures makes the message that much more intriguing. I can feel hope through his knowing stare. Editor: True, maybe the hope lies beyond it all, I think I just caught on: despite difficulties, enlightenment and knowledge prevail, right? Curator: That is astute of you. To think a modest emblem on a printed page encapsulates such profound contemplation is just, truly magnificent, don't you agree? Editor: For sure. Baroque bling with a message, I guess? This really grew on me.