Regine's, New York City by Larry Fink

Regine's, New York City 1977

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Dimensions image: 37.3 × 37.9 cm (14 11/16 × 14 15/16 in.) sheet: 50.7 × 41 cm (19 15/16 × 16 1/8 in.)

Editor: Larry Fink's "Regine's, New York City," a gelatin silver print from 1977, captures what seems like a candid moment. The stark contrast and intimate proximity of the subjects give the image an almost documentary feel, but also an awkward, unglamorous quality. What can you tell me about the formal elements at play here? Curator: Indeed. Let's observe the stark, high-contrast tonality achievable through the gelatin silver print process. Notice how the composition is not classically balanced; rather, it possesses an off-kilter asymmetry, throwing the viewer into an unusual arrangement of figures. The placement of the subjects draws us in; do you observe any correlation in their relationship? Editor: They seem jovial, certainly relaxed. It is as if they have no concern with a picture being taken. Yet the framing makes the photograph voyeuristic and self-aware. Is this on purpose, would you say? Curator: The picture space is deliberately flattened, yes. We can also examine how the lighting, predominantly top-down, sculpts the faces and throws deep shadows, complicating any reading of straightforward representation. Also, examine the lines from the images in the background. All the separate rectangles within rectangles creates layers within the whole image. Editor: I can see that—especially with the “Three Penny Opera” sign looming behind them. It’s like a stage setting. Curator: Precisely. Do you consider the thematic implications, given the background context and subjects foregrounded, to echo concerns relating to performativity and spectacle in contemporary society? Is the image only what it is, or does it refer to other aspects, say the cultural moment of the elite? Editor: Interesting. So, by focusing on these aspects, the image almost self-deconstructs, revealing not just a photograph but a statement about perception and high society. I am definitely thinking about the photo in another way now. Curator: Indeed. A simple black and white picture of rich guys has never been so...complicated.

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