Torsions Mobilo-Static - Weiss auf Schwarz 1967

Walter Leblanc made *Torsions Mobilo-Static - Weiss auf Schwarz* using simple materials to make something that feels very much alive. Look at how he builds the surface. Those white and black lines, they’re not just painted on, they’re constructed. It’s like he’s building a wave, a vibration. There's something so beautiful about the way the stark contrast between black and white creates this visual buzz. It's not just about seeing; it's about feeling the texture, even though it might be smooth. Each line seems to have a life of its own. It’s like each one is a note in a song. I see echoes of Bridget Riley’s Op Art here, but Leblanc brings a certain stillness, a quiet hum. It’s like he's captured a moment of pure energy and held it still, inviting us to get lost in its depths. It’s a reminder that art doesn’t always need to shout, sometimes it can whisper and still be heard.