graphic-art, print, textile, paper, typography, poster
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Copyright: Rijks Museum: Open Domain
This letter, dated May 31, 1888, comes from the archive of Philip Zilcken and was printed on paper using a printing press. Consider the materiality of this letter: the paper itself, likely made from wood pulp, a relatively new industrial process at the time, and the ink, uniformly applied by machine. This contrasts sharply with earlier forms of hand-written communication. The printing press allowed for mass production, making information dissemination more efficient and accessible. The letter announces the end of the Théâtre Libre season and outlines plans for the future, alluding to labor and class. For example, a larger venue with amenities suggests a desire to appeal to a broader, potentially wealthier, audience. It also mentions reserving space for young and unknown artists, hinting at a commitment to emerging talent within a stratified social structure. By examining its materials, production, and context, we gain insight into the cultural landscape of the time, highlighting the impact of industrialization and the shifting dynamics of artistic patronage and social class. This letter transcends its function as mere correspondence, becoming a window into a world in transition.
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