Twee leeuwenkoppen, in profiel 1729

Editor: Here we have "Two Lion Heads, in Profile," a drawing in ink by Bernard Picart from 1729. They appear to be roaring or perhaps yawning? What strikes me most is how one lion is slightly in front of the other; I am keen to know what you observe in this Baroque artwork. Curator: From a formalist perspective, this drawing presents an interesting study in contrasts and visual rhythm. The composition directs our eyes between the two lion heads, each meticulously rendered. Notice the lines that define their manes – energetic and free-flowing versus more controlled, shorter lines; a study of contrasts. What does this variance communicate? Editor: I hadn't considered the texture! Is the difference perhaps intending to express age or power dynamics through these styles? Curator: Perhaps. Note the deployment of the line, too. Consider how the hatching technique contributes to the overall sense of volume and form. Also, reflect on the tonal variations Picart creates simply by varying the density and direction of his lines, and note the visual impact of those two nearly identically opened mouths. What significance could we draw from that duplication of form? Editor: This artwork provides such intriguing insight into the relationship between representation and line; your insights help me to appreciate Picart’s capacity for creating a sense of liveliness and power through careful and repetitive mark-making. Curator: Indeed. This piece serves as an exemplary lesson in seeing and understanding through structural design; observing the intricate formal relationships provides meaning, independent of subject.